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PulpRoman voted for list
2 years, 4 months ago
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"(ಥ﹏ಥ)"


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Akira Kurosawa☆Films (30 movies items)

"A brilliant selection of images! An awesome tribute to a great artist."


2 years, 4 months ago
PulpRoman added 1 item to To Watch II - Film Lists list

2 years, 4 months ago
PulpRoman voted for list
Akira Kurosawa☆Films (30 movies items)
2 years, 4 months ago
PulpRoman posted a comment on this image

"Oh my God what an image! (ノ◕ヮ◕)ノ*:・゚✧"


2 years, 4 months ago
PulpRoman voted for list
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PulpRoman voted for list
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PulpRoman voted for list
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PulpRoman voted for 20 images [View All]

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PulpRoman added 1 item to Film Diary 2021 list
Simon of the Desert (1965)
24.12
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PulpRoman voted for list
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The Fifth Element
Mystery Train
Last Life in the Universe
Walkabout
Night on Earth

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PulpRoman voted for list
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PulpRoman added Johnny Belinda to have watched list
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PulpRoman added 1 item to Book Diary 2021 list
Mother Night: A Novel
All people are insane,” he said. “They will do anything at any time, and God help anybody who looks for reasons." No young person on earth is so excellent in all respects as to need no uncritical love. Good Lord—as youngsters play their parts in political tragedies with casts of billions, uncritical love is the only real treasure they can look for. Das Reich der Zwei, the nation of two my Helga and I had—its territory, the territory we defended so jealously, didn’t go much beyond the bounds of our great double bed. Flat, tufted, springy little country, with my Helga and me for mountains. And, with nothing in my life making sense but love, what a student of geography I was! What a map I could draw for a tourist a micron high, a submicroscopic Wandervögel bicycling between a mole and a curly golden hair on either side of my Helga’s belly button. If this image is in bad taste, God help me. Everybody is supposed to play games for mental health. I have simply described the game, an adult interpretation of “This-Little-Piggy,” that was ours. There are plenty of good reasons for fighting,” I said, “but no good reason ever to hate without reservation, to imagine that God Almighty Himself hates with you, too. Where’s evil? It’s that large part of every man that wants to hate without limit, that wants to hate with God on its side. It’s that part of every man that finds all kinds of ugliness so attractive.“It’s that part of an imbecile,” I said, “that punishes and vilifies and makes war gladly.” My own feeling is that a child should start experimenting with real people and real communities from the moment of birth, if possible. If, for some reason, these materials are not available, then playthings must be used. But not bland, pleasing, smooth, easily manipulated playthings like those in your brochure, friends! Let there be nothing harmonious about our children’s playthings, lest they grow up expecting peace and order, and be eaten alive. As for children’s working o aggressions, I’m against it. They are going to need all the aggressions they can contain for ultimate release in the adult world. Name one great man in history who did not go boiling and bubbling through childhood with a lashed-down safety valve. I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. “Lie down, lie down!” the people cried. “The great machine is history!” My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don’t think so. We went to see where history’d been, And my, the dead did stink so.
2 years, 4 months ago
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PulpRoman added 1 item to Bibliophilia list

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PulpRoman added 1 item to Book Diary 2021 list
Spring Snow: The Sea of Fertility, 1
And that’s the way it will be. After we’re all dead, it will be easy to analyze us and isolate our basic elements for everyone to see. And of course this essence, the thought that is the foundation of our era, will be considered quite benighted a hundred years from now. And you and I have no way of escaping the verdict, no way to prove that we didn’t share the discredited views of our contemporaries. And what standard will history apply to that outlook? What do you think? The thoughts of the geniuses of our age? Of great men? Not at all. Those who come after us and decide what was in our minds will adopt the criterion of the uncritical thought patterns of your friends on the kendo team. In other words, they’ll seize upon the most primitive and popular credos of our day. You see every era has always been characterized solely in terms of such idiocies.” Her voice came echoing gaily out of another era, one of upheavals, a violent era forgotten by this generation, in which fear of imprisonment and death held no one in check, an era in which the threat of both was part of the texture of everyday life. She belonged to a generation of women who had thought nothing of washing their dinner plates in a river while corpses went floating past. That was life! And now, how remarkable that this grandson, who seemed so effete at first glance, should have revived the spirit of that age before her very eyes. The first picture on the scroll was that of an abbot in a brown robe and a young widow seated facing each other in front of a screen. The style was that of haiku illustrations, done with a light, humorous touch. The face of the abbot was drawn in caricature to look like a large penis. In the next picture the abbot sprang upon the young widow without warning, intent on raping her, and although she was putting up a fight, her kimono was already in disarray. In the next they were locked in a naked embrace and the woman’s expression was now blissfully relaxed. The abbot’s penis was like the twisted root of a giant pine, and his brown tongue stuck out in great delight. In accordance with this artistic tradition, the young widow’s feet and toes were painted with Chinese white, and curved sharply inward. Tremors ran the length of her white, clinging thighs and ended finally at her toes, as though the tension there embodied her straining effort to hold back the flood of ecstasy that was about to gush out into eternity. The woman’s exertions were altogether admirable, thought the Count. On the other side of the screen, meantime, a number of novice monks were standing on a wooden drum and a writing table, and boosting one another onto their shoulders, desperately keen to see what was going on behind the screen while simultaneously engaged in a comic struggle to keep down those parts of their anatomy that had already swollen to massive proportions. Finally the screen fell over. And as the stark-naked woman attempted to cover herself and escape, and the abbot lay exhausted with no strength left to reprimand the novices, a scene of total disorder began to unfold. The monks’ penises were drawn to appear nearly as long as their owners were tall, the usual proportions being inadequate for the artist to convey the magnitude of their burden of lust. As they set upon the woman, the face of each of them was a comic study in indescribable anguish, and they staggered about under the weight of their own erections. After such punishing toil, the woman’s entire body turned deathly pale and she died. Her soul flew out of her and took refuge in the branches of a willow tree blown by the wind. And there she became a vengeful ghost, her face drawn in the image of a vulva. At this point, the scroll lost whatever humor it had once had, and became permeated with fearful gloom. Not one but many ghosts, all similar, assaulted the men, hair streaming wildly, crimson lips gaping. Fleeing in panic, the men were no match for the phantoms, who swarmed over them in a whirlwind, tearing out their penises as well as the abbot’s with their powerful jaws. The final scene was by the seashore. The emasculated men lay naked on the beach, howling desperately, while a boat weighed down with their mutilated penises was just setting sail on a dark sea. The ghosts crowded the deck, hair streaming in the wind, pale hands waving derisively, their vaginal faces mocking the wretched cries of their victims on the shore. The prow of the boat, too, was carved in the form of a vulva, and as it pointed toward deep water, a tuft of hair clinging to it waved in the sea breeze. Her large, beautiful eyes were certainly wet with tears, but tears quite different from those he had been dreading up to now. They were something living that was being cut to pieces. Her eyes held the terrible glance of a drowning man, and he could not bear this gaze. Her lovely long eyelashes spread wide, like a plant bursting into flower. --------------------------------------------------------------------------------- Yukio Mishima is an extremely good writer, it's just that some of the content was a bit difficult to get through. ---------------------------------------------------------------------------------
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